|Statement||William A. Sethares.|
|LC Classifications||QC225.7 .S48 1998|
|The Physical Object|
|Pagination||xviii, 345 p. :|
|Number of Pages||345|
|LC Control Number||97017623|
Tuning, Timbre, Spectrum, Scale focuses on perceptions ofconsonance and dissonance, and how these are dependent on timbre. This alsorelates to musical scale: certain timbres sound more consonant in some scalesthan others. Tuning Timbre Spectrum Scale is published by Springer-Verlag, and is available in fine college and technical bookstores everywhere. If your bookseller doesn't have it in stock, it's easy to order from your friendly web book seller such as If you're short on cash, you might check out your local library. They ought to have a copy. If not, tell your librarian. Table2. 2. Each note consists of three partials. If the sequence is played ascending, then the?rst virtual pitch tends to be perceived, whereas if played descending, the second, lower virtual pitch tends to be heard. Only one virtual pitch is audible at a time. This can be heard in sound examples [S: 6] and [S: 7]. Note First Second Third Virtual Pitch Virtual Pitch partial partial partial. Tuning, Timbre, Spectrum, Scale. Authors (view affiliations) William A. Sethares; Book. 36 From Tuning to Spectrum. William A. Sethares. Pages Spectral Mappings. Pages Back Matter. Pages PDF. About this book. Keywords. Sensor acoustics design electronic music engineer mathematics musical scales perception.
Tuning, Timbre, Spectrum, Scale begins by explaining the relevant terms from the psychoacoustic literature. For instance, the perception of “timbre” is closely related to (but also distinct from) the physical notion of the spectrum. Book Tuning, Timbre, Spectrum, Scale has simple shape nevertheless, you know: it has great and big function for you. You can seem the enormous world by open and read a publication. So it is very wonderful. Roger Sowa: As people who live in the modest era should be revise about what going on or info even knowledge to make. "Tuning Timbre Spectrum Scale" provides a unique approach to working with environmental sounds, and there are clear applications for the use of inharmonic sounds in film scoring. This book will also be of interest to engineers and others interested in the design of audio devices such as musical synthesizers, special effects devices, and keyboards/5(6). Tuning, Timbre, Spectrum, Scale Book January with 3, Reads How we measure 'reads' A 'read' is counted each time someone views a publication summary (such as the title, abstract, and.
Available in: , Timbre, Spectrum, Scale focuses on perceptions ofconsonance and dissonance, and how these are dependent on timbre. This Due to COVID, orders may be : Springer London. About the author () William A. Sethares is a Professor in the Department of Electrical and Computer Engineering at the University of Wisconsin, Madison. He is the author of Rhythm . Find helpful customer reviews and review ratings for Tuning, Timbre, Spectrum, Scale at Read honest and unbiased product reviews from our users.4/5(7). Tuning, Timbre, Spectrum, Scale, 2e Written for audio professionals and engineers interested in sound manipulation, this text shows how to measure consonance and dissonance. The book then explores their application in music theory, synthesizer design, musical scales and .